CH·01 / A DORIAN
II
A Dorian
Soulful, minor but with hope — built from G major
PARENT FAMILY · G MAJ
All 7 modes share the same parent scale (G major). A Dorian is the II mode.
| # | Mode | Diatonic chords | Mood |
|---|---|---|---|
| I | G Ionian | Gmaj7 – Am7 – Bm7 – Cmaj7 – D7 – Em7 – F♯m7♭5 | Happy, bright, resolved |
| II | A Dorian | Am7 – Bm7 – Cmaj7 – D7 – Em7 – F♯m7♭5 – Gmaj7 | Soulful, minor but with hope |
| III | B Phrygian | Bm7 – Cmaj7 – D7 – Em7 – F♯m7♭5 – Gmaj7 – Am7 | Dark, tense, Spanish/flamenco |
| IV | C Lydian | Cmaj7 – D7 – Em7 – F♯m7♭5 – Gmaj7 – Am7 – Bm7 | Dreamy, floating, ethereal |
| V | D Mixolydian | D7 – Em7 – F♯m7♭5 – Gmaj7 – Am7 – Bm7 – Cmaj7 | Bluesy, dominant, rock |
| VI | E Aeolian | Em7 – F♯m7♭5 – Gmaj7 – Am7 – Bm7 – Cmaj7 – D7 | Melancholic, natural minor |
| VII | F♯ Locrian | F♯m7♭5 – Gmaj7 – Am7 – Bm7 – Cmaj7 – D7 – Em7 | Unstable, tense, dissonant |
SCALE · 7 NOTES · 1 2 ♭3 4 5 6 ♭7
A
B
C
D
E
F♯
G
Formula: 1 2 ♭3 4 5 6 ♭7
The Dorian scale on A contains the notes A, B, C, D, E, F♯, G. The pentatonic subset is A, B, D, E, G.
Characteristic note: the natural 6th separates Dorian from the minor (Aeolian).
DIATONIC 7ths · CHORD PAD
I
Am7
II
Bm7
III
Cmaj7
IV
D7
V
Em7
VI
F♯m7♭5
VII
Gmaj7
▸ Play A Dorian over Am7 and D7 progressions.
FRETBOARD · STANDARD TUNING · 15F● LIVE
CHARACTER · SOULFUL, MINOR BUT WITH HOPE
SOULFUL, MINOR BUT WITH HOPE
A Dorian is a minor mode with a soulful, minor but with hope character. It is the II mode of G major — it uses the same 7 notes as G Ionian but is rooted on A, which shifts the harmonic focus and creates a completely different sound. The tonic chord is Am7.
Where to use A Dorian
Jazz, blues-rock, funk, Latin.
Famous examples
- So What (Miles Davis)
- Oye Como Va
- Scarborough Fair
What makes it distinctive: the natural 6th separates Dorian from the minor (Aeolian).
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