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CH·01 / G DORIAN
II

G Dorian

Soulful, minor but with hope — built from F major
in
PARENT FAMILY · F MAJ

All 7 modes share the same parent scale (F major). G Dorian is the II mode.

#ModeDiatonic chordsMood
I F Ionian Fmaj7 – Gm7 – Am7 – B♭maj7 – C7 – Dm7 – Em7♭5 Happy, bright, resolved
II G Dorian Gm7 – Am7 – A♯maj7 – C7 – Dm7 – Em7♭5 – Fmaj7 Soulful, minor but with hope
III A Phrygian Am7 – A♯maj7 – C7 – Dm7 – Em7♭5 – Fmaj7 – Gm7 Dark, tense, Spanish/flamenco
IV A♯ Lydian A♯maj7 – C7 – Dm7 – Em7♭5 – Fmaj7 – Gm7 – Am7 Dreamy, floating, ethereal
V C Mixolydian C7 – Dm7 – Em7♭5 – Fmaj7 – Gm7 – Am7 – A♯maj7 Bluesy, dominant, rock
VI D Aeolian Dm7 – Em7♭5 – Fmaj7 – Gm7 – Am7 – A♯maj7 – C7 Melancholic, natural minor
VII E Locrian Em7♭5 – Fmaj7 – Gm7 – Am7 – A♯maj7 – C7 – Dm7 Unstable, tense, dissonant
SCALE · 7 NOTES · 1 2 ♭3 4 5 6 ♭7
G A A♯ C D E F
Formula: 1 2 ♭3 4 5 6 ♭7

The Dorian scale on G contains the notes G, A, A♯, C, D, E, F. The pentatonic subset is G, A, C, D, F.

Characteristic note: the natural 6th separates Dorian from the minor (Aeolian).
DIATONIC 7ths · CHORD PAD
I
Gm7
II
Am7
III
A♯maj7
IV
C7
V
Dm7
VI
Em7♭5
VII
Fmaj7
▸ Play G Dorian over Gm7 and C7 progressions.
FRETBOARD · STANDARD TUNING · 15F● LIVE
1 2 3 4 5 6 7 8 9 10 11 12 13 14 E B G D A E F C A# F A E G D A# F C G A E C G D A A# F A# D A E C G A# F C E D A F C G D A# E G D A E F C A# F A E
CHARACTER · SOULFUL, MINOR BUT WITH HOPE
SOULFUL, MINOR BUT WITH HOPE

G Dorian is a minor mode with a soulful, minor but with hope character. It is the II mode of F major — it uses the same 7 notes as F Ionian but is rooted on G, which shifts the harmonic focus and creates a completely different sound. The tonic chord is Gm7.

Where to use G Dorian

Jazz, blues-rock, funk, Latin.

Famous examples

  • So What (Miles Davis)
  • Oye Como Va
  • Scarborough Fair
What makes it distinctive: the natural 6th separates Dorian from the minor (Aeolian).