CH·01 / G DORIAN
II
G Dorian
Soulful, minor but with hope — built from F major
PARENT FAMILY · F MAJ
All 7 modes share the same parent scale (F major). G Dorian is the II mode.
| # | Mode | Diatonic chords | Mood |
|---|---|---|---|
| I | F Ionian | Fmaj7 – Gm7 – Am7 – B♭maj7 – C7 – Dm7 – Em7♭5 | Happy, bright, resolved |
| II | G Dorian | Gm7 – Am7 – A♯maj7 – C7 – Dm7 – Em7♭5 – Fmaj7 | Soulful, minor but with hope |
| III | A Phrygian | Am7 – A♯maj7 – C7 – Dm7 – Em7♭5 – Fmaj7 – Gm7 | Dark, tense, Spanish/flamenco |
| IV | A♯ Lydian | A♯maj7 – C7 – Dm7 – Em7♭5 – Fmaj7 – Gm7 – Am7 | Dreamy, floating, ethereal |
| V | C Mixolydian | C7 – Dm7 – Em7♭5 – Fmaj7 – Gm7 – Am7 – A♯maj7 | Bluesy, dominant, rock |
| VI | D Aeolian | Dm7 – Em7♭5 – Fmaj7 – Gm7 – Am7 – A♯maj7 – C7 | Melancholic, natural minor |
| VII | E Locrian | Em7♭5 – Fmaj7 – Gm7 – Am7 – A♯maj7 – C7 – Dm7 | Unstable, tense, dissonant |
SCALE · 7 NOTES · 1 2 ♭3 4 5 6 ♭7
G
A
A♯
C
D
E
F
Formula: 1 2 ♭3 4 5 6 ♭7
The Dorian scale on G contains the notes G, A, A♯, C, D, E, F. The pentatonic subset is G, A, C, D, F.
Characteristic note: the natural 6th separates Dorian from the minor (Aeolian).
DIATONIC 7ths · CHORD PAD
I
Gm7
II
Am7
III
A♯maj7
IV
C7
V
Dm7
VI
Em7♭5
VII
Fmaj7
▸ Play G Dorian over Gm7 and C7 progressions.
FRETBOARD · STANDARD TUNING · 15F● LIVE
CHARACTER · SOULFUL, MINOR BUT WITH HOPE
SOULFUL, MINOR BUT WITH HOPE
G Dorian is a minor mode with a soulful, minor but with hope character. It is the II mode of F major — it uses the same 7 notes as F Ionian but is rooted on G, which shifts the harmonic focus and creates a completely different sound. The tonic chord is Gm7.
Where to use G Dorian
Jazz, blues-rock, funk, Latin.
Famous examples
- So What (Miles Davis)
- Oye Como Va
- Scarborough Fair
What makes it distinctive: the natural 6th separates Dorian from the minor (Aeolian).
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