CH·01 / B DORIAN
II
B Dorian
Soulful, minor but with hope — built from A major
PARENT FAMILY · A MAJ
All 7 modes share the same parent scale (A major). B Dorian is the II mode.
| # | Mode | Diatonic chords | Mood |
|---|---|---|---|
| I | A Ionian | Amaj7 – Bm7 – C♯m7 – Dmaj7 – E7 – F♯m7 – G♯m7♭5 | Happy, bright, resolved |
| II | B Dorian | Bm7 – C♯m7 – Dmaj7 – E7 – F♯m7 – G♯m7♭5 – Amaj7 | Soulful, minor but with hope |
| III | C♯ Phrygian | C♯m7 – Dmaj7 – E7 – F♯m7 – G♯m7♭5 – Amaj7 – Bm7 | Dark, tense, Spanish/flamenco |
| IV | D Lydian | Dmaj7 – E7 – F♯m7 – G♯m7♭5 – Amaj7 – Bm7 – C♯m7 | Dreamy, floating, ethereal |
| V | E Mixolydian | E7 – F♯m7 – G♯m7♭5 – Amaj7 – Bm7 – C♯m7 – Dmaj7 | Bluesy, dominant, rock |
| VI | F♯ Aeolian | F♯m7 – G♯m7♭5 – Amaj7 – Bm7 – C♯m7 – Dmaj7 – E7 | Melancholic, natural minor |
| VII | G♯ Locrian | G♯m7♭5 – Amaj7 – Bm7 – C♯m7 – Dmaj7 – E7 – F♯m7 | Unstable, tense, dissonant |
SCALE · 7 NOTES · 1 2 ♭3 4 5 6 ♭7
B
C♯
D
E
F♯
G♯
A
Formula: 1 2 ♭3 4 5 6 ♭7
The Dorian scale on B contains the notes B, C♯, D, E, F♯, G♯, A. The pentatonic subset is B, C♯, E, F♯, A.
Characteristic note: the natural 6th separates Dorian from the minor (Aeolian).
DIATONIC 7ths · CHORD PAD
I
Bm7
II
C♯m7
III
Dmaj7
IV
E7
V
F♯m7
VI
G♯m7♭5
VII
Amaj7
▸ Play B Dorian over Bm7 and E7 progressions.
FRETBOARD · STANDARD TUNING · 15F● LIVE
CHARACTER · SOULFUL, MINOR BUT WITH HOPE
SOULFUL, MINOR BUT WITH HOPE
B Dorian is a minor mode with a soulful, minor but with hope character. It is the II mode of A major — it uses the same 7 notes as A Ionian but is rooted on B, which shifts the harmonic focus and creates a completely different sound. The tonic chord is Bm7.
Where to use B Dorian
Jazz, blues-rock, funk, Latin.
Famous examples
- So What (Miles Davis)
- Oye Como Va
- Scarborough Fair
What makes it distinctive: the natural 6th separates Dorian from the minor (Aeolian).
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