CH·01 / B LOCRIAN
VII
B Locrian
Unstable, tense, dissonant — built from C major
PARENT FAMILY · C MAJ
All 7 modes share the same parent scale (C major). B Locrian is the VII mode.
| # | Mode | Diatonic chords | Mood |
|---|---|---|---|
| I | C Ionian | Cmaj7 – Dm7 – Em7 – Fmaj7 – G7 – Am7 – Bm7♭5 | Happy, bright, resolved |
| II | D Dorian | Dm7 – Em7 – Fmaj7 – G7 – Am7 – Bm7♭5 – Cmaj7 | Soulful, minor but with hope |
| III | E Phrygian | Em7 – Fmaj7 – G7 – Am7 – Bm7♭5 – Cmaj7 – Dm7 | Dark, tense, Spanish/flamenco |
| IV | F Lydian | Fmaj7 – G7 – Am7 – Bm7♭5 – Cmaj7 – Dm7 – Em7 | Dreamy, floating, ethereal |
| V | G Mixolydian | G7 – Am7 – Bm7♭5 – Cmaj7 – Dm7 – Em7 – Fmaj7 | Bluesy, dominant, rock |
| VI | A Aeolian | Am7 – Bm7♭5 – Cmaj7 – Dm7 – Em7 – Fmaj7 – G7 | Melancholic, natural minor |
| VII | B Locrian | Bm7♭5 – Cmaj7 – Dm7 – Em7 – Fmaj7 – G7 – Am7 | Unstable, tense, dissonant |
SCALE · 7 NOTES · 1 ♭2 ♭3 4 ♭5 ♭6 ♭7
B
C
D
E
F
G
A
Formula: 1 ♭2 ♭3 4 ♭5 ♭6 ♭7
The Locrian scale on B contains the notes B, C, D, E, F, G, A. The pentatonic subset is B, D, E, F, A.
Characteristic note: the ♭5 (diminished fifth) makes it unstable and rarely used as a tonal center.
DIATONIC 7ths · CHORD PAD
I
Bm7♭5
II
Cmaj7
III
Dm7
IV
Em7
V
Fmaj7
VI
G7
VII
Am7
▸ Play B Locrian over Bm7♭5 and G7 progressions.
FRETBOARD · STANDARD TUNING · 15F● LIVE
CHARACTER · UNSTABLE, TENSE, DISSONANT
UNSTABLE, TENSE, DISSONANT
B Locrian is a minor mode with a unstable, tense, dissonant character. It is the VII mode of C major — it uses the same 7 notes as C Ionian but is rooted on B, which shifts the harmonic focus and creates a completely different sound. The tonic chord is Bm7♭5.
Where to use B Locrian
Metal, jazz, used sparingly.
Famous examples
- Half-diminished chord contexts
- Metallica solos
What makes it distinctive: the ♭5 (diminished fifth) makes it unstable and rarely used as a tonal center.
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